In A Wall of Sorts, I reflect on the invisible architectures we construct throughout our lives. Inspired by the poem Brick by Brick, the project
considers how memory, attachment, loss, and lived experience accumulate slowly over time, becoming part of an internal wall we carry
within ourselves. Each “brick” holds emotional residue — traces of relationships, places, grief, resilience, and love.

Working with cast glass, I am interested in the paradoxes held within the material itself — fragility and strength, transparency and weight, presence and disappearance. Glass carries light while simultaneously exposing vulnerability. It becomes a metaphor for emotional states that are difficult to contain yet impossible to erase.

The sculptures resemble fragments of walls, unstable constructions, or suspended moments of collapse. Reinforced forms, broken bricks, and
exposed supports speak about the fragile systems upon which human relationships and identities depend. Some structures remain standing;
others fracture, collapse, or survive only through repair.

Rather than illustrating memory as narrative, I attempt to materialise
it as structure — something accumulated over time, carried internally, and continuously reshaped by absence and survival. Between solidity and fracture, the works exist as traces of what remains.