About artist

BIO

I am a ceramic and glass artist based in London. My practice explores memory, fragility, and the emotional structures that shape our lives. Working primarily through hand-building, I use material as a way to investigate the relationship between permanence and instability, presence and absence, and the traces left by time.

My journey into art was unconventional. I discovered ceramics in 2017 during a visit to the International Ceramic Biennale in Carouge, Switzerland. Drawn to clay’s tactile and expressive qualities, I immersed myself in the medium through study, workshops, and sculptural training across Europe. For five years, I was a resident artist at the Bruckner Foundation in Geneva, where I developed my practice within an international community of ceramic artists.

Clay remains the foundation of my work. Its ability to record touch, pressure, and transformation allows me to explore how personal and collective experiences become embedded in form.

During my MA in Ceramics & Glass at the Royal College of Art, I discovered glass as a new medium for artistic expression. This encounter opened an entirely new dimension within my practice. Glass introduced transparency, light, and vulnerability, while its paradoxical nature—simultaneously fragile and strong—resonated deeply with the themes I explore.

Today, I work across ceramics and glass, creating a dialogue between opacity and transparency, weight and lightness. Through sculpture and material experimentation, I investigate how memory and lived experience accumulate over time, becoming part of the invisible structures we carry within ourselves.

I am a ceramic and glass artist based in London. My practice explores memory, fragility, and the emotional structures that shape our lives. Working primarily through hand-building, I use material as a way to investigate the relationship between permanence and instability, presence and absence, and the traces left by time.

My journey into art was unconventional. I discovered ceramics in 2017 during a visit to the International Ceramic Biennale in Carouge, Switzerland. Drawn to clay’s tactile and expressive qualities, I immersed myself in the medium through study, workshops, and sculptural training across Europe. For five years, I was a resident artist at the Bruckner Foundation in Geneva, where I developed my practice within an international community of ceramic artists.

Clay remains the foundation of my work. Its ability to record touch, pressure, and transformation allows me to explore how personal and collective experiences become embedded in form.

During my MA in Ceramics & Glass at the Royal College of Art, I discovered glass as a new medium for artistic expression. This encounter opened an entirely new dimension within my practice. Glass introduced transparency, light, and vulnerability, while its paradoxical nature—simultaneously fragile and strong—resonated deeply with the themes I explore.

Today, I work across ceramics and glass, creating a dialogue between opacity and transparency, weight and lightness. Through sculpture and material experimentation, I investigate how memory and lived experience accumulate over time, becoming part of the invisible structures we carry within ourselves.