My practice is concerned with the invisible structures that shape our lives. I am interested in memory not as a fixed archive of events, but as something fluid and constantly reconstructed. A fragile architecture built from experiences, relationships, losses, and traces of time.

Working with ceramics and glass, I explore how material can hold what is otherwise intangible. Clay and glass are not simply mediums; they are ways of thinking. Clay remembers touch. It records pressure, movement, and hesitation. Glass carries light within itself, revealing and concealing at the same time. Together, they allow me to investigate the tension between permanence and impermanence, presence and absence, vulnerability and resilience.

I often think of the self as a structure under continuous construction. We build ourselves slowly through accumulated experiences, layer upon layer, fragment upon fragment. Some parts remain intact, while others fracture, collapse, or are rebuilt. These moments of instability interest me most. They reveal the delicate frameworks that support identity, memory, and belonging.

My sculptures exist between object and metaphor. Architectural forms, fragments, voids, and suspended elements become vessels for reflection on what endures and what disappears. Rather than representing personal narratives, I seek to create spaces where viewers may encounter their own memories and emotional landscapes.

I am drawn to the idea that materials can carry histories beyond language. Through making, I attempt to give form to what resists articulation: the weight of absence, the persistence of memory, and the quiet resilience of structures that continue to hold even after they have been broken.